Each player keeps their cards face down in a pile in front of them. First all of the cards are dealt between the players so everyone has the same number of cards. To play War, you just need 1 standard deck of playing cards. War is a fun 2-4 player card game where players try to win all of the cards in the deck. If there is another tie between these two or more players, the War needs to continue. The player with the highest card will win. Then everybody plays the next card face-up as they would during a non-War round. If you're playing with three or four players: If two or more players are tie for the highest card, then each player to place by one card as face-down.This will be the card used to play the war. If a player doesn't have enough cards to play the war, the player must turn his/her last card face-up. Whoever has the higher fourth card is the person who takes all 10 cards from the round. Flip over a fourth card as you would flip a card when not at 'War'. To go to war, each player must place three more cards face-down on the table. For example, you both flip your cards and each of you flips over a '6'. Two jacks can set up a War, or two or more tens can setup a war or even two aces can setup a war. However, it doesn't matter the suit of the card its value of the card does matter. Go to 'War' when the cards you flip are the same card.
0 Comments
N2 - This chapter considers the impact of ‘global Shakespeare’ on performance traditions associated with mainstream Shakespeare on the English stage with particular focus on productions which put Shakespeare in conversation with non-English theatrical conventions in order to unsettle the distinction between ‘English Shakespeare’ and ‘Foreign Shakespeare’. T1 - Shakespeare With and Without Its Language It justifies an optimistic outlook for intercultural performance in increasingly globalized theatrical (and Shakespearean) geographies", The uniquely intercultural, playful quality of their Shakespearean productions shows that intercultural performance need not involve cultural looting or an unequal exchange between participating cultures. It justifies an optimistic outlook for intercultural performance in increasingly globalized theatrical (and Shakespearean) geographiesĪbstract = "This chapter considers the impact of approach to Shakespearea from their launch production of The Two Gentlemen of Verona south London (Ovalhouse) in 2008 to their contribution to the Globe to Globe Festival in 2012. The main focus of the chapter is the work of a London-based theatre company, ‘Two Gents Productions’, formed by a German-born director from South Africa and two Zimbabwean actors, and the evolution of their ‘township theatre’ approach to Shakespearea from their launch production of The Two Gentlemen of Verona south London (Ovalhouse) in 2008 to their contribution to the Globe to Globe Festival in 2012. This chapter considers the impact of ‘global Shakespeare’ on performance traditions associated with mainstream Shakespeare on the English stage with particular focus on productions which put Shakespeare in conversation with non-English theatrical conventions in order to unsettle the distinction between ‘English Shakespeare’ and ‘Foreign Shakespeare’. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |